Bob Compton, Harvard MBA and venture capitalist, has a new calling: documentary film producer. And he'd like to change the way this country thinks about education.
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So he's taking his film, "2 Million Minutes," which follows a half-dozen high school students in Indiana, India and China -- approximate who's existence served freehanded dollops of science and engineering, and guess who's not -- to the conventions this month. Yes, he has an invitation from both the Democrats and the Republicans, and the contrive in both Denver and St. Paul is to jump-start discussions on education with screenings of the film.
This fall Adrian Belic, an Academy Award-nominated documentary filmmaker, volition tour the country with his in style film, "Beyond the Call," which he has already screened in senior citizens centers, high schools, junior highs, photographic film festivals, military organizations and juvenile detainment centers.
"Indiana Jones meets Mother Teresa" is how he'll describe "Beyond the Call." Three middle age men take humanitarian economic aid, medicines and cash for schools and teachers to the world's most dangerous -- and most cinematically beautiful -- places.
Belic's first outing with the trio was to Afghanistan in 2000, just the hands they had planned to meet had just been assassinated, so they rerouted to Cambodia and the Thai-Myanmar border. Aside from presenting the appealing Gonzo characters in exotic locales, Belic would like the film to inspire self-reflection and action in audiences.
And Patrick Creadon's "I.O.U.S.A." about "our poorly economy," in the words of the filmmaker, opened theatrically Friday, but what's really ignition Creadon's jets is that the night before, a live digital feed went up in 400 theaters across the United States. After the credits rolling, the lights came up on a live town hall meeting in Omaha, Neb.
Omaha? Native son Warren Buffett was one of the panelists who discussed the photographic film and its message around what all constituents should know around the internal debt and their financial responsibilities.
Compton, Belic and Creadon are non alone: Filmmakers, concerned citizens all, are taking their docs to the streets, the conventions, the halls of Congress, the United Nations, ithiel Town halls, college campuses, community groups and beyond.
Manic energy aside, documentary filmmakers are becoming more and more sophisticated about where and to whom they show their films.
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